And second, you cannot subdivide the click PROPERLY. However, the biggest dislike I had – and still have – of Live is its internal click.įirst, the click tone is obnoxious, and cannot be changed without highjacking the root library in your computer’s Operating System (NOT advisable for the faint of heart). But many of those have been addressed/changed/tweaked and generally improved over the last few versions. While I was not unfamiliar with Live and its concepts from years past, there were still some things that fell short for me. While I see myself using PT as a main Digital Audio Workstation for song creation, video scoring, and audio recording, it still falls short in many areas that we need, specifically our live performance / worship services. So Pro Tools is very powerful in many cases – but not all… If you’d like more info on running loops via Pro Tools in a live performance situation, check out: Gear Questions: Pro Tools running loops
There is also the powerful ability to input tempo changes, time signature changes, and click subdivision changes at those markers, or anywhere in a song’s timeline. You can tab to them, or select them with the mouse in a special Markers Window. Pro Tools also allows “Markers”, which we would use as the start of the next song. ESPECIALLY since you can create a click track using the “Click” plug-in and route it to a specific audio output, apart from, say, a stereo loop track. So using Pro Tools to play some or all of those audio elements in conjunction with a live band was totally natural. I do most of my music creation via Pro Tools – whether a simple loop for a worship song, or a full, complex video score. Up until a few weeks ago, we used Pro Tools as our on-stage software to create and run loops, sequenced programming and a click track. Alrighty Kids, here’s some info about our journey switching from Pro Tools to Ableton Live for running click, loops and tracks for live performance, specifically in our worship services.
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